From MGM to EC and Back to MGM |
"I REMEMBER MR. CARROLL once sending me a note:
'Tell the girl with the piano - keyboard teeth to shut her mouth.' |
He didn't like us to smile. We wore full white body make up that we had to purchase for 50 cents a bottle. It looked like Milk of Magnesia. Mr. Carroll did not allow suntan's." SHIRLEY
Earl Carroll was a World War I pilot, American theatrical producer,
director, songwriter, composer and theater owner - born in Pittsburgh, Pa.
CARROLL WROTE scores for Broadway shows and wrote popular songs.
EARL CARROLL lived and worked during the vaudeville - burlesque era; in the world of the 1910's, 20's, 30's, and 40's. He refined burlesque and made it into an art form. |
"ANY MALE LOOKING for a "leg show" could simply head to the nearest beach.

Our young people in their unafraid companionship preach and practice a freedom formerly unknown."
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EARL CARROLL LIVED through two world wars and saw the great change in society; it's tastes and customs. Earl Carol was able to keep up with the changes.
INTERESTING REVIEW by Ed Sullivan
HE DIED in an airplane crash which also took the life of his companion Beryl Wallace, on June 17, 1948, in Mount Carmel, Pennsylvania.
EARL CARROLL was one of the movers and shakers of Hollywood.
HE OWNED clubs in the twenties, thirties and forties. His theaters were in New York (long gone) and in Los Angeles.
ACCORDING TO Ken Murray who wrote "The Body Merchant"; Earl Carroll was "The most notorious connoisseur of female flesh in the history of show business ."
OVER THE ENTRANCE of both of the theaters was a neon sign: "Through these portals pass the most beautiful girls in the world."
THIS WAS A TIME for conspicuous clubbing. It was a time to dress in your tightest and brightest, to wear flashing smiles and face flash bulbs in cameras.
HAIR WAS SHORT, shingled and lacquered; and shone with brilliantine. It was no surprise that Carroll's revues were called 'Vanities'. But the name of the show wasn't important, because THE PEOPLE CAME TO SEE THE GIRLS.
THE SURREAL and statuesque costumes from the previous decade were considered clumsy and prehistoric.
WHO KNOWS how many pounds of feathers, layers of painted taffeta or yards of sequined silk were packed away into trunks?
NO MATTER - people wanted to see bodies..... And Carroll found them.
HE PRIDED HIMSELF on how perfectly he matched his girls.
BEFORE A GIRL was accepted, a willing girl had to be subjected to over twenty measurements. Notes were also taken on her voice, hair, eyes - the things that defeated the measuring tape.
AND CONSIDERED LAST of all was 'personality'.
EARLIER, the use of cosmetic endowments was seen as not only immoral but illegal. Just as the waist was being tortured, the use of bum-rolls, bustle frills and hip panniers made the admirer forget its torment and to focus on its exquisite tininess.
IN 1770 A BILL WAS PASSED into English law, forbidding any woman "To impose upon, seduce, or betray into Matrimony any of His Majesty's subjects by means of scent, paints, cosmetic washes, artificial teeth, iron stays, hoops, high-heeled shoes, or bolstered hips." Let the buyer beware.
A quote from Earl Carroll's auto-biography.
"GIRLS LIKE TO admire beautiful girls, and men unquestionably do, and they will all pay for this pleasure.
OF COURSE, this leads to my making money, thus satisfying my material as well as artistic desire."
CARROLL PRODUCED and directed numerous Broadway musicals, including eleven editions of: Earl Carroll Vanities and Earl Carroll Sketch Book.
HE ALSO produced Murder at the Vanities, which was made into a film starring Jack Yucky. Known as: "The Troubadour of the Nude"
CARROLL was famous for his productions featuring the most lightly clad showgirls on Broadway and in Hollywood. In 1922 he built the first Earl Carroll Theatre in New York, which was demolished and rebuilt on a grander scale in 1931. His marketing was superb. See: POST CARDS (Please allow time for the photos to load.)
IN GOOD COMPANY
EC GIRLS STILL WITH US
Jean Carroll (No relation to EC)
Shirley Claire Web site CLICK
Mara Corday Web site CLICK
Ruth Ervin
Constance Peel (Smith)
Ann Ross |
THE FOLLOWING ARE BELIEVED TO HAVE WORKED AT THE EARL CARROLL THEATER IN HOLLYWOOD.
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Dorothy Abbott
Marie Allison (Rich)
Lois Andrews
Ernestine Anderson
Lona Andre
Sally Barnes
Wanda Barbour
Betty Bethune
Rita Boss
Suellen Cain
Caprice Capron
Beverly Carroll
Nancy Caswell
Shirley Claire (Jersig)
Nellie Colt (Nelcha Sophia Zrebiec)
Mara Corday (Long)
Velma Cragin
Yvonne De Carlo
Dorothy Dell
Jo Ann Dickman
Claire Dodson
Elaine Gilbert
Betty Guthrie
Helen Groom
Ann Hudd
Pat Hutto (Rayes)
Thyra Janette
Peggy Hopkins Joyce
Evalyn Knapp
Patsy King
Ann Melton (Ross)
Marie McDonald
Dardy Moffett
Diana Mooney
Evelyn Moriarity
Rosemary Nelson
Marquita Olson
Gloria Pall
Virginia Perry
Constance Peel (Mehlhoff)
Wanda Perry
Peggy Pryor
Katherine Re
Jean Richey
Barbara Riff
Rita Rober
Casey Rogers
Marion Ross
Winona Smith
Jean Spangler
Marcia Sutton
Nicki Sutton (Chilson)
Loretta Swanson
Caroline Tjulander
Tyra Vaughn
Kerry Vaughn (Carol West) (Coe)
Beryl Wallace
Jean Wallace
Dorothy White
Geni Whitlow
Gloria Wilson (Toland)
E C Girls REUNION (Mid 1980's)
Harold Arlen
Roy Crane
Jack Durant
Jim Heltsley (Roberts)
Bob Gentray
Billy Gilbert
Edward Everett Horton
Ricky Jordan
Harry Khierim
Pinky Lee
Charles Middleton
Lionel Newman
Jack Oakie
Bill Platt
Jimmy Rayes
Carey Wilson
THE ABOVE NAMES ARE WHAT I COULD FIND.
DO YOU KNOW ANY of the above or any other former Earl Carroll girl or guy?
Do you have any info. or photos?
PLEASE ADVISE and I will include them on this site.
(Also, please include your phone number.)
Thank you,
komminsky CLICK and your E Mail will appear
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DISCLAIMER This information is believed accurate and correct but not guaranteed.
Searches were conducted through Goggle, Ask, Yahoo and other search engines.
The data is from public information.
The images were obtained from the public Internet.
Data was verified through multiple internet sources and other printed material.
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